Archive for April, 2007

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April 27, 2007

Fracture

A little slow and a little bland but not a bad time. True, a matinee, at best, but it’s a decent little drama. Solid enough plot (the big gotcha eluded me, but then again, I wasn’t trying hard to figure it out — I kinda like keeping myself in the dark so the surprise is a surprise), though there are a few bits that seem rather forced to fit into the plot rather than come naturally from it.

Who cares. I enjoyed it enough, if only because I have liked the look of Rosamund Pike since Die Another Day.

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April 24, 2007

Kushi Shabu

123 Onizuka St Ste 305 (2nd and San Pedro, Little Tokyo)
Los Angeles, CA 90012-3843
213-621-0210

All-you-can-eat shabu shabu for a really good price, nice atmosphere (parties of 4 or more get private rooms) and fast service.

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April 21, 2007

Hot Fuzz

A lot of fun, and even moreso in the grand climax, which is indescribable without giving it away. I liked Shaun of the Dead more, but this is definitely worth the full price of admission.

Teaser: watch for the cameos by Peter Jackson and Cate Blanchett.

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April 21, 2007

I was held hostage by Quentin Tarantino

How’s that for hyperbole?

So Han, Sue and I went to catch the U.S. premiere of Hot Fuzz over at the Arclight Cinemas Hollywood. I bought the tickets earlier this week and only found out Edgar Wright, the director of the movie, was to do a Q&A after the movie. That sounded cool, but it also meant it was going to be pretty crowded at the theater, and I wasn’t too confident about getting a table at the restaurant inside to chill and relax until it was time to go in.

So Han and I are standing there trying to get the attention of the hostess, whose attention unfortunately is concentrated on her partner, who is dealing with Quentin Tarantino. He’s apparently got a party of nine and HE hasn’t been seated yet. Our chances got real slim at that point, so we walked out and hit the TOGO’s over on Sunset and Gower. Sue joined us there.

The movie was great. And right after it this guy goes up to the front, says hello, then announces with great pleasure… Eli Roth, director of Cabin Fever. Okaay. He says hello, then announces with great pleasure… Jack Black. Jack Black admits sardonically that we were probably wondering why the fuck Jack Black’s up there, and he explains it is because he is to introduce, with great pleasure… and at this point I should know from earlier, Quentin Tarantino. It’s getting a little ridiculous at this point, but thankfully after Quentin repeats Jack Black’s admission, he then introduces not just the director of Hot Fuzz, but also the stars, Simon Pegg and Nick Frost. Awesome.

The Q&A was fun. This being the very last public event of the American PR tour for Hot Fuzz, they wanted totally random questions. Stuff like who’s the bigger badass, Simon Pegg or Will Smith (Simon defers to Will), and who has the worst fart among the three (Edgar), are rather funny and kept everything high energy. Thankfully, crap questions coming from Hollywood wannabes (“As an aspiring actor”, “Looking at your body of work”, “What comedic influences”) were dismissed pretty quickly (“No, I meant the other fellow”). People who asked a good one were given a DVD or a t-shirt or perhaps both.

And so it came to an end and as Edgar thanks the audience and we clapped, Quentin pops up and yells, “I’ve still got three DVDs, no one is leaving until these are given out!” or something. Fifteen minutes pass as Quentin lays a siege (Pegg’s words), dismissing question after question as crap. Two finally get passed out but he still has the one. There’s TEN minutes left before the 11 o’clock showing and that audience is outside in the hallway, probably getting a bit ticked off. Pegg mutters that this is probably the first Q&A that would end in a riot and Edgar again proclaims an end to the session, telling Quentin that he gets to go home with the last copy of a Michael Bey masterpiece.

And that was the evening. Thank you. Good night.


April 19, 2007

Olympus E-330 Digital SLR with ZD 14-45 and 40-150 kit lenses

I finally have an interchangeable lens SLR camera again. My last one was a 35mm film camera, the Nikon FM10, which served me well in China. Before that was a Canon AE-1P, which also served me well in China until it was stolen.

Sure, I had an Olympus E-10 afterward and it is, by definition, an SLR. But it had a fixed lens and the beam splitter prism mechanism meant no hearty slap of a mirror. Some people like to hear the slap. I’m 50/50 on that, but be that as it may, I have one sleek photography machine. I now have completed my kit: the Nikon 2200 for pocket fun, the DMC-FZ5 for telephoto and traveling light, and this for serious business.

Hmm… I’m gonna need a bigger bag.

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April 19, 2007

Nikon WP-CP1 Waterproof Housing for CoolPix 2200/3200/4100

Whoever thought my aging 2MP CoolPix 2200 pocket cam would survive the last four vacations and still prove itself worthy?

With a dedicated waterproof housing, it extended its life even further and provided me with some pretty nice in-the-water shots. Sure, its compactness disappears once inside the housing, but hey, I could take it underwater.

I think this sucker’s got a few more years left in it. And if it does die, well, I guess I could try to find the 4100 — it oughtta be pretty cheap by then.

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April 19, 2007

Panasonic DMC-FZ5K

I purchased this little guy March of 2006 and I have to tell you, it is awesome. Small, light, a perfect 5MP and an EVF (viewfinders in compact cameras are pointless unless they are EVF now that the LCD is composition king). Not to mention its native 55mm thread is a perfect match for the Olympus TCON-17 teleconverter, which allows me to extend the native 36mm-432mm zoom range all the way to 734mm. 734mm!!

I love this camera. I’m not sure I’m all that concerned with replacing it with the newer models out now; after all, I bought this when the DMC-FZ7 was a month away because the price dropped and 5MP is really all I want — plus it’s a little smaller than its successor. Now the FZ8 is out, and I still don’t really care. I think this one’s a keeper for the next three years.

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April 16, 2007

Kingdom of Heaven – The Director’s Cut

I haven’t watched a movie with an instrumental over black screen overture and entr’acte in a long time (and I’m pretty sure the theatrical release version does not have it). I really liked this movie. I find it superior to Gladiator (gasp). Definitely has more substance than Gladiator, a story about a man seeking personal vengeance, versus this film, a story about a man trying to atone for sins by being a good man. Sure, Russell Crowe is the better actor, and Orlando Bloom, while charming, didn’t quite convince me that he was really grieving about anything. But Edward Norton playing the leper king Baldwin IV and doing so with only his eyes visible was a dramatic achievement for the man and one I applaud ferociously.

That the movie has global overtones concerning the relations of the childen of the one true god is obvious. That it deals with it even-handedly and attempt to signify that the men like Baldwin IV and Saladin, men who respected religions and allowed free access to the city, are those who we must admire. Apparently much of these scenes were removed in the American release, which was made into a Gladiator-style action movie and removed a lot of the meaning in the actions of these and other men. That’s unfortunate. I’m glad I didn’t go see it in theaters when it came out and got to see it in its extended cut with fresh eyes.

This will probably be considered a great movie and maybe one of Ridley Scott’s best efforts, but only after time. I doubt with today’s atmosphere such even-handed discussions on the Kingdom of Heaven can overcome the shouts of today’s Guy of Lusgnans and Raynald de Chatillons (there is also a mullah in the film who insists on war and Saladin rebuffs, but he is otherwise unnamed). Let’s hope it’s not long in coming.

My hat off to you, Mr. Scott.

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April 16, 2007

Disturbia

An updated, hip, youngster version of Rear Window, right? Well, yeah, basically. But hey, it’s done really well. You like the characters, you like the camera POV (especially when it’s on Sarah Roehmer at the pool), and hey! there’s an Asian best friend! And come on, David Morse makes for a good bad guy.

I’ve actually liked Shia LeBouf since going to watch Shaker Heights. And hey, his SNL episode was actually pretty funny.

Movie’s worth a matinee, at least.

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April 16, 2007

Blades of Glory

Laugh out loud, indeed. Fun movie, and thankfully not overly long. Will Ferrell is consistent, and the interaction between his and Jon Heder’s character clinches it. Will Arnett and Amy Poehler make great villains. Jenna Fischer’s pretty.

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